Skip to Main Content
Mobile Menu

Get Ready for Idaho’s First Screendance Film Festival

Get Ready for Idaho’s First Screendance Film Festival

picture of sceendance dancersScreendance, or “dance for camera,” is an art form that merges cinematography and choreography to create vibrant, often provocative short films. Dance is central, but camera movement, editing and sound – or the intentional absence of sound – all contribute to a finished piece. Screendance, say its fans, allows for effects not possible in a traditional live performance setting, including a mix of camera angles, close-ups and drone footage.

Boise State, The Idaho Dance Educational Organization and Idaho Dance Theatre will host the state’s first screendance festival April 26-27 in the Special Events Center. The all-ages festival will offer workshops on creating original screendances, four screening sessions, a quick-fire filmmaking contest, awards and more. The festival, said organizer Marla Hansen, an associate professor in the Department of Theatre, Film and Creative Writing, is open to the public. Admission is by donation.

And if you’re a screendance creator, you’re in luck. Organizers are inviting original screendance submissions from a broad range of ages, skill levels and film locations to be shown at the festival. Early submissions are due by March 11. General submissions are due by April 1. For more information on the festival, or how to submit a film, visit: idahoscreendance.com

Collaboration to create a ‘mystical experience’

Hansen worked with filmmaker Rulon Wood, an assistant professor in the Department of Communication and Media, to create an original screendance set to music composed by Eric Alexander, an assistant professor in the Department of Music. The process behind making this unique, collaborative screendance was featured in Explore, Boise State’s annual research magazine. The piece itself will debut at the festival in April.

The collaborative creative process started with preparing choreography and storyboards in the studio in advance, then setting those scenes to music, said Hansen. For Alexander, whose past compositions have included concert music and film scores, composing for screendance was a new creative challenge.

This entry was posted in COAS, Theatre Arts News. Bookmark the permalink.